A water color painting apparatus for painting the surface of an article comprising a plurality of color blocks each of a different color, each of said color blocks being of the same construction, a support structure, attachment elements connecting said color blocks to said support structure in side-by-side spaced relation and with said color blocks projecting therefrom and with an upper surface supported in substantially outwardly spaced relation to said support structure and locating said upper surfaces of said color blocks in a spaced aligned relation, at least one brush member having a head adapted to span a plurality of said adjacent color blocks, said head including an inner stabilizing element of a substantially rigid construction and having an outer application edge, said stabilizing element having a handle portion, and an outer cover of a water absorbing material covering said stabilizing element including said outer application edge and adjacent portions of said element, said brush being operable upon moisturizing of said cover to span said color blocks and absorb the colors from said outer surfaces for simultaneous transfer of the colors to the article without transfer of color from one block to an adjacent block and whereby liquid transferred from said brush onto said block flows downwardly over the block to prevent transfer of color material between the upper surfaces of said color blocks, wherein said color blocks are mounted on said support structure on edge and extend upwardly therefrom a substantial multiple of the thickness of the color blocks.
Washes The most basic watercolor technique is the flat wash. It is produced by first wetting the area of paper to be covered by the wash, then mixing sufficient pigment to easily fill the entire area. The pigment is applied to a sloping surface in slightly overlapping horizontal bands from the top down. Once complete the wash should be left to dry and even itself out - don't be tempted to work back into a drying wash, the results are usually disastrous! A variation on the basic wash is the graded wash. This technique requires the pigment to be diluted slightly with more water for each horizontal stroke. The result is a wash that fades out gradually and evenly
Graded wash through the sky
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Glazing Glazing is a similar watercolor technique to a wash, but uses a thin, transparent pigment applied over dry existing washes. Its purpose is to adjust the color and tone of the underlying wash. Non staining, transparent pigments such as Rose Madder (or Permanent Rose), Cobalt Blue and Auroline are ideal for glazing as they can be applied layer after layer to achieve the desired effect. Be sure each layer is thoroughly dry before applying the next.
A cool Gray glaze pushes back the end of the buildings
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Wet in Wet Wet in wet is simply the process of applying pigment to wet paper. The results vary from soft undefined shapes to slightly blurred marks, depending on how wet the paper is. The wet in wet technique can be applied over existing washes provided the are thoroughly dry. Simply wet the paper with a large brush and paint into the dampness. The soft marks made by painting wet in wet are great for subtle background regions of your painting.
Wet in wet push the bushes into the distance.
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Dry Brush Dry brush is the almost the opposite watercolor technique to wet in wet. Here a brush loaded with pigment (and not too much water) is dragged over completely dry paper. The marks produced by this technique are very crisp and hard edged. They will tend to come forward in your painting and so are best applied around the centre of interest
Dry brush gives crisp, sharp details
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Lifting Off Most watercolor pigment can be dissolved and lifted off after it has dried. Staining colors such as Phthalo or Prussian Blue, Alizarin, Windsor Red, Yellow or Blue are difficult to remove and are best avoided for this technique. The process for lifting off is simple - wet the area to be removed with a brush and clean water then blot the pigment away with a tissue. Using strips of paper to mask areas of pigment will produce interesting hard edged lines and shapes
The foreground shadow was lifted off so as not to draw too much attention
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Dropping in Color This technique is simply the process of introducing a color to a wet region of the painting and allowing it to blend bleed and feather without interruption. The result is sometimes unpredictable but yields interesting and vibrant color gradations that cant be achieved by mixing the pigment on the palette.
The soft Burnt Sienna suggestion of a bush was dropped in while this area was still very wet
The endowment of inanimate objects or abstract concepts with animate or living qualities. A figure of speech in which ideas are represented as as a person or creature and attributed with personality and human characteristics.
It may apply to :
A description of an object as being a living person or animal as in: "The sun shone brightly down on me as if she were shining for me alone". In this example the sun is depicted as if capable of intent, and is referenced with the pronoun "she" rather than "it".
An outstanding example of a quality or idea: "He's invisible, a walking personification of the Negative" (Ralph Ellison).
An artistic representation of an abstract quality or idea as a person, for example the four cardinal virtues or nine Muses.
Here are some examples :
The sun kissed the flowers. The wind was whistling. The grass was dancing. The car was humming. The washer gurgled the detergent. The computer began to talk. Opportunity began to knock on my door
Thanks to : http://wiki.answers.com/Q/What_are_some_examples_of_personification http://en.wikipedia.org/wiki/Personification
✎ Exhibit #1 (Individual Work) Tribute to mother Part A [ Poem ] :
Remembering your love towards me,
Only one that I truly love and care,
She's one of the few things in my life that can never be replaced,
Even if she no longer exist.
You're like a rose that has been planted in my heart since the day i was born, You said you are not pretty anymore, In my heart, you're always a beautiful rose.
Watching me growing up, You told me you're getting older each day, In my heart , you're always a young rose that never wilts,
As technology gets more advanced. you told me that you're technology handicap, In my heart, it doesn't matter, You're always a capable rose.
I am never jealous of others, I already had the best rose, I don't need any other things.
I have a thousand thanks to say to you, I'm grateful for all the times, you healed my hurts, and calmed my fears, so that I could face the world, feeling safe and secure.
Your sacrifices and unselfishness, Your encouragement and praises , Your cuteness and humourous, gave me joy , laughter and fun, You gave so much for me, sometimes at your expenses, You are my teacher, my comforter, my encourager, the one who care for me the most, the one who appreciate me the most, and the one who forgive me the most,
Sometimes I took you for granted, but I will never again.
Thanks for everything, mother. You're the best rose ever.
I LOVE YOU FOREVER AND EVER .
Part B [ Painting ] :
In the painting is a rose that represents my mother, in my heart, she is as beautiful as the rose and that she doesn't withers, also as young as ever. She's a rose that gave me happiness, love and warmth. She's my everything. And hence, I would like to thank her.
Naturally shines on me just like a guardian angel.
Love is a camera,
Full of memories between you and me.
The happy moments we shared together would always be right beside me.
You're like my lights,
Lighting up my path of darkness.
You're like the Sun,
Giving me warm and comfort.
You're as patient as a Saint,
Offering me advice when I need them most.
I know how much you care,
Even though I might not say.
I appreciate for all you have sarcrifice,
And I would like to say,
Thank you ♥
Painting:
Short Description
This painting has a carnation, which represents myself as well as a Sun, which represents my mother. I choose to draw a carnation as it's name means "flower of love", which also signifies fascination, distinction, and love. The Sun gives out heat and light. Therefore, my mother who is always there for me would protect me and give me warm and comfort whenever I need just like the Sun.
What are metaphors? A figure of speech in which a word or phrase that ordinarily designates one thing is used to designate another, thus making an implicit comparison, as in "a sea of troubles" or "All the world's a stage" .
Examples of other mataphors include : I'm dead tired She's the apple of my eye He wore me down I'm heartbroken
Impressionism was a 19th-century art movement that began as a loose association of Paris-based artists whose independent exhibitions brought them to prominence in the 1870s and 1880s. The name of the movement is derived from the title of a Claude Monet work, Impression, Sunrise which provoked the critic Louis Leroy to coin the term in a satiric review published in Le Charivari.
A simile is a comparison made between two things that are not alike in most ways, but are alike in one important way. In a simile, the words "like" or "as" are used to signal that a comparison is being made between the two things.
An example is: Last night Bob slept like a log.
In this example, slept like a log is the simile, and like is the word used to signal that a comparison is being made. The two things being compared are "slept" and "log." A log just lies in one place and does not move. A mental image of Bob sleeping like a log would show him lying in one place without moving. This would bring out that the speaker or writer is saying that Bob had a long, deep, and undisturbed sleep and not just a nap.
Another example is: Working on her project, Mary was as busy as a beaver.
In this example, as busy as a beaver is the simile, and as is the word used to signal that a comparison is being made. The two things being compared are "busy" and "beaver." When building a dam a beaver keeps busily working until the dam is completed. A mental image of Mary being as busy as a beaver while working on her project would show her working very hard. This would bring out that the speaker or writer is saying that Mary was putting a lot of effort into her project and would keep working until it was completed.
Here are other similies which uses 'like' to signal the comparison :
fits like a glove •runs like a deer •chatters like a monkey •moves like a snail •sits there like a bump on a log •eats like a pig •swims like a fish •stood out like a sore thumb •fought like cats and dogs •eyes like a hawk •takes it like a man •sings like a bird •as clear as mud
Here are some similies which uses 'as' to signal the comparison : •as clear as mud •as strong as an ox •as nutty as a fruitcake •as pretty as a picture •as good as gold •as quiet as a mouse •as clear as a bell •as bright as day •as light as a feather •as dry as a bone •as slow as molasses •as deep as the ocean
Symbolism In Art Symbolism means the systematic use of symbols or pictorial conventions to express an allegorical meaning. Symbolism is very important to most religious arts. The Symbolist painters used these symbols from mythology and dream imagery for a visual language of the soul as reading symbols plays a main role in psychoanalysis. Symbolism was more an international ideological trend. Symbolists believed that art should apprehend more absolute truths which could only be accessed indirectly. Thus, they painted scenes from nature, human activities, and all other real world phenomena in a highly metaphorical and suggestive manner. They provided particular images or objects with esoteric attractions.The closest to Symbolism was Aestheticism.
Acrylic paints are one of the newest painting mediums, being introduced as 'recently' as 1955. They have come a long way since then, with an ever-widening range of paints and associated art materials.
The acrylic paint technique thus offers both the new and experienced artist a very versatile method of painting.
What Are Acrylic Paints?
A water-based medium, the usual texture and consistency is similar to oil paints. However, unlike oils, you can get acrylics in various densities.
These range from an ink-like consistencythin enough to be used in airbrushesthrough various degrees of 'flow' very much like oil paints, to the consistency of soft cream cheese.
This allows really heavy 3D (impasto) effects.
Various substances are available to be added to the paint to create all sorts of textures.
Or you can use your own, such as plaster or sand, for a further variety of textured effects.
All the brands and thicknesses can be thinned back down using water. Some artists I know actually use thinned down acrylic in a pure watercolor style. This givessubtly different but important qualities
Pros & Cons of Using Acrylic Paints
As in all painting, the acrylic paint technique has benefits and drawbacks. The good things are that:
It is easily diluted with water, so there's no need for special thinners
Brushes are cleaned with soap and water
It dries fast - often within minutes - unlike oils which can take weeks or even months
Once dry, you can instantly put additional layers on top without ever muddying the ones below -as can happen with watercolour paints
You can paint on a wide range of surfaces including art canvas, watercolour and other types of specially formulated oil and acrylic paper, wood, various types of board or even use room walls
Colours change very little from their wet to dry state - unlike watercolours - so the strength of colour you see first is what you end up with
It washes off clothes and carpets when wet, just by using soap and water
There is no solvent-type smell, as there is with oils and turpentine
Thinned acrylic paint makes an excellent underpainting if you're using oils
However, like all paintng mediums, there are downsides when using acrylic paint. These are mainly around one of its main virtues... its quick drying properties. Here are some things you need to consider:
Drying so quickly makes it difficult to subtly blend paint, as you can with oils - when painting a cloudy sky or portraits for example
You have to keep all your brushes moist as you are painting. Never let them dry with acrylic paint on the bristles or you'll end up with a nice-looking set of short garden canes.
Paint which dries on the blade of a palette knife is very hard to get off. This can leave a film which may adversely affect the ability of the knife to make a smooth mark
You need a special palette to stop your paints drying out as well. These aren't cheap for what they are.
If there's any grease on the painting surface, acrylics will not adhere, unlike oil paints
Acrylic paint tends to be quietly abrasive and soon takes its toll on softer brushes. Try using it with a small nylon 00 watercolor brush, for example, and you'll be lucky to get more than two or three good sessions out of it
If acrylic paint gets inside the ferrule and dries it's almost impossible to get out without damaging the brush hairs. What then happens is the dried paint makes the bristles spread and the brush loses much of its value as a quality tool
Don't leave the tops off tubes of acrylic paint, the contents will go rock hard in no time. If this happens, you throw them away. Full stop
Some brands of acrylic paint have small tops on the tubes. They are extremely difficult to get off as the paint dries in the threads.
If you have problems gripping small items, you may want to choose tubes which have large caps - or buy a good pair of pliers!
Acrylic paint is a close cousin of PVA glue and as such, quite an effective, if somewhat colourful, adhesive.
Painting Surfaces
Despite the disadvantages we've looked at, acrylic paint is really a very versatile medium. This is particularly evident when looking at the surfaces you can actually use on which to paint.
As a direct alternative to oils, acrylic on canvas is an excellent choice.
Make sure though, the canvas is coated with an acrylic, rather than oil-based primer, or gesso (a product specially made for the acrylic painting technique). Acrylics won't stick to an oil-based primer.
You can use various papers and watercolor paper is particularly good, even for the thicker paint.
Although it doesn't have to be primed, it is helpful to stop paint soaking in to the surface and risking leaving a patchy image.
This also applies to painting on boards such as Masonite and MDF. In fact you can exploit the primer or gesso properties by putting it on with a coarse house-painting brush.
If you only have household latex-type emulsion paint, use that instead, for a cheap primer.
Add a touch of acrylic colour to it (Raw Sienna is good) to give a warm base to your picture.
Paint first in one direction, then when dry, lightly in the other. With care you can create a nice texture that approximates to canvas, which will show through your picture.
Alternatively try stippling the primer on for a different texture.
And if you really want to economise, I've seen some excellent acrylic pictures painted on brown wrapping paper and even newsprint! In fact...
Looking at some of the newspapers in the UK, there are those who might say that painting over some of the drivel that's printed is a much better use for the paper!
And don't overlook the possibilities for this painting medium in your house.
If you are fed up with bland painted or papered walls in your bedroom, try painting a scene of your choice instead.
Paint on your preferred basecoat color of household latex or vinyl.
Keep this a fairly light shade. A white with a tint of another colour is ideal. Then sketch in your design.
Finally, paint the picture on the wall, using acrylic paints.
They are from the same family as household vinyl and will inter-mix without difficulty.
It doesn't have to be the whole wall, just a corner if you like. Maybe if it's one of the young one's bedrooms, they could do it themselves, under your supervision.
Palettes
You can't use a conventional wood or plastic palette with acrylics. Well, you can... once!
Acrylic paint's quick-drying, adhesive qualities make it a real pain to get off once dry. You could try scraping it with the side of a razor blade but this is slow, messy and hazardous.
Manufacturers have developed a palette that keeps paint moist for several days or longer.
Usually plastic, it consists of a shallow moulded well, about A4 size 11inches x 8 inches.
Sometimes there's a small tray moulded in to keep your brushes moist. This is very necessary as I've already described.
In the large well is placed a fairly thick piece of white absorbent paper.
This is wetted and on top is placed a translucent waterproof paper 'membrane'. On top of this you squeeze out your colours.
This waterproof membrane allows just enough dampness through to stop your paints drying out.
The palette usually has a lid which allows you to keep your paints moist for several days, providing you keep the bottom layer of paper wet.
These acrylic palettes do work extremely well. However they are, in my opinion, expensive for what they are, as is the 'special' paper.